Virtual reality and breakthrough in book design

Abstract: The so-called "virtual reality" refers to the interdependent relationship between the picture reproduced in the picture and the imaginary imaginary shape. Although the books are small, they have all kinds of internal organs. The collocation of the actual and actual relations and the processing of the space are especially important in the design. At the same time, the designer must also consider the originality and breakthrough of the design work in the design, and constantly improve the aesthetic function and cultural quality of the book design.

Keywords: book design, virtual reality, breakthrough in the so-called virtual reality, refers to the interdependence between the images reproduced in the screen and the imaginary imaginary shapes. They are set off against each other and merged into the screen. They are black and white, with virtual reality and clarity. Floating and dark, with momentum, abstraction with abstraction, complement each other to present a colorful picture.

For artists, art is not a blind expression of what is seen. The most important thing is to express the feeling of emptiness. When imagination and inspiration come along, through the profound understanding of the connotation of the work, the mutual fusion of the actual and the actual relationship. The art of self-cultivation has its own free play space. It will create an imagination for the work and stimulate a desire. Through the organic combination of points, lines, and faces, the work will produce a shock and eventually achieve a novelty. , full of personality.

Books design also contains various concepts of art. Although the books are small, they are all fully-organized. The collocation of the actual and actual relationships and the processing of the space are particularly important in the design. A good book must have a good framing design. The framing design covers a wide range of topics. It includes covers, covers, spines, lesbians, ring linings, title pages, layouts, and book-brows. Each of these parts contains an actual relationship. The collocations are the indispensable organisms in the overall book design. In terms of jackets, it is a top priority in the book. Not only must it incorporate the designer's design concepts and creative thinking, but it also requires the designers to have subconscious thinking and use those invisible shapes to set off the situation. The concrete image allows the reader to realize and appreciate the shape of the image beyond the physical body. As Mr. Qi Baishi said, "The wonderfulness of the painting is between the similarity and the dissimilarity." We must follow this concept when designing and designing. Starting from the content of the book, we must pay attention to the beauty of form, but not to form and form, be good at using and observing the blankness of the picture, using the principle of blackness, skillfully, and skillfully at the point and line. Make a difference in the interaction between the face and the face, create and design a unique work. In the design of books, the design of the spine should also be emphasized. Although it occupies a gap in a book, it plays the role of finishing touch, covering topics such as title, author, publishing house, and decorative patterns. This requires us to take into account the collocation of the font space, the collocation of the color blocks, and the combination of size and actuality. If the design is not elaborate, the arrangement is not elaborate, and the examination is not serious, it will lead to the consequences of splitting the entire cover. If the virtual reality and black and white interactions are handled properly, the subtlety of the design will naturally give people a fresh look.

The design of ring lining pages is a gentle step in the overall book design. This will be transferred to the text. The design should be based on a holistic relationship between the actual and the actual situation to achieve a harmonious unity, giving readers an easy transition into the text. Elegant and quiet, colors should not be strongly contrasted, but they must be refined and full of charm. In addition, the design of the book brow, the layout of the page number, the insertion of the graphic, each link must take into account the relationship between virtual and real. Chinese painting pays attention to “Paper like gold and pity ink like gold”. We should also pay close attention to how to skillfully use the space in the design, know how to cherish the cover, avoid blindly pursuing the so-called rich, give people a messy, dazzling Sense, affect readers to appreciate and read. Therefore, the designer must be careful about the size of the font size, arrangement between lines, comparison of large, medium and small plates, line thickness, and density.

At present, the book binding industry in China is developing rapidly. The level of book design and paper printing are constantly improving. The overall design of books has become the highlight of today's book publishing industry. The overall planning, overall packaging, and overall marketing of books have become the current fashion. Therefore, designers must not only consider the relationship between reality and reality, but also consider the originality and breakthrough of design works. The so-called breakthrough refers to the fission of people's thinking, ideology and spiritual categories. However, at some book exhibitions and trade fairs, we also find from time to time that some book designs lack overall sense of originality and lack cultural qualities. Their performance is tedious, complex and vulgar, and internal textual arrangements are forms. Forms, lack of consideration of readers' reading requirements, are sometimes dense, fonts are listed, and sometimes empty, so that readers can not find clues. This is actually the result of the superficial nature of the design language. It is impossible to study and scrutinize the virtual reality and black-and-white space of the picture. The appearance of the surface form cannot be discussed. It is even more difficult to talk about it deeply.

Breakthroughs include formal breakthroughs, breakthroughs in concepts, and aesthetic breakthroughs. The so-called form of breakthrough is the breakthrough of points, lines, and surfaces. It breaks through the rigid picture structure, breaks through the so-called rational arrangement, looks for the beauty of rhythm within the overall framework, and exerts personal imagination. It boldly uses virtual reality to interact with black and white. The relationship explores the cohesion of the point, the dynamics of the line's thinness and the spatial contrast relationship of the face in the form of the rules of beauty, in order to obtain the overall shock.

The breakthrough of ideas is to break through the previous mode of thinking. The formation of this model is the result of a long period of time and a long period of time. It not only imperceptibly influences people's innovative thinking, but also binds people's potential innovative thinking. Kafka once said: "Artists try to give people another eye to change the reality through this method." So modern designers must open their minds, absorb traditional benign factors, and boldly learn and adopt modern design concepts. , With new perspectives, new ideas, new design methods to continuously improve the aesthetics of the book design and cultural quality.

â–  Ci Liqun Hebei Education Press



Decoration, 2006-03